Flesh and Spirit
Throughout time, the very crux of the human condition has been the struggle between the desires of the flesh and matters of the spirit. This tension between the corporeal and the metaphysical has been a constant preoccupation of cultures, philosophers, and religions: how does one reconcile one’s embodied experience of the world — with all its attendant pleasures and travails — with our aspirations towards the transcendental and the divine?
Flesh and Spirit is a meditation on how we negotiate our place between these realms. The selection of artworks circles the arc of human experience and emotion, starting with the intimations of birth and the beginning of primordial time, to encompass ideas around survival and sacrifice, faith and ideals. Other artworks suggest the illusory nature of our constructed realities, and prompt a reckoning with the self and ego. Yet others plumb the depths of the human psyche, and hint at elemental forces too great to be contained by rational enquiry, gesturing towards other means of apprehending the world and our place within it.
Last but not least, a passage of works suggests that the transcendental, to which we aspire, is not entirely separate from our embodied reality; rather, it manifests itself in familiar or natural phenomena, offering us a fleeting glimpse of a threshold where we may briefly reach towards or apprehend the sublime.
Enjoy the exhibition catalogue here.
Flesh and Spirit was featured in the Singapore Tyler Print Institute’s S.E.A. Focus programme in February 2021, which featured an exclusive online tour.
Or read Plural Art Mag’s feature of the show and its story.
IAN TEE // KARMIC MIRROR / MOTH INTO FLAME, 2017 // Destroyed aluminium composite panel with mirror finish // 150 x 122 cm
KAMOLPAN CHOTVICHAI // MAGGA (PATH), 2015 // C-type print and hand cut canvas // 110 x 112 cm
MELLA JAARSMA // FEEDING THE NATION, 2020 // Photograph in 3 parts // 85 x 77 cm, 85 x 135 cm, 85 x 75 cm // Edition 3 of 5 (+ 2AP)
GENEVIEVE CHUA // ULTRASOUND #1, 2012 // Acrylic and screenprint with enamel on linen // 118 x 180 x 4.5 cm
PANNAPHAN YODMANEE // PRIMORDIAL TIME, 2020 // Mixed media on linen // 120 x 100 cm
NORBERTO ROLDAN // CRUSADE, 2015 // Wooden crosses salvaged from demolished old houses, beeswax drenched panels, Middle Eastern carpets, neon lights // 168 x 540 cm
JANE LEE // NOWHERE, 2018 // Acrylic mirror tiles, reflective vinyl sticker, acrylic paint, enamel, silicone, resin and wood // Dimensions variable
NATEE UTARIT // PARRHASIUS PAINTING (BLACK AND WHITE), 2005 // Oil on canvas 100 x 140 cm (diptych)
MIYA ANDO // CLOUD MOON MANDALA, 2013 // Dye, pigment, phosphorescence and resin on stainless steel // 91.5 x 91.5 cm
SUZANN VICTOR // WING MANGER, 2018 // Crushed stained glass // 47 x 86 x 25 cm